Enrico Menduni

Titoli dell'autore

Media, intrattenimento e crisi. A partire dalla crisi del 1929 digital

formato:

Articolo

| COMUNICAZIONI SOCIALI - 2017 - 2. MEDIA, CREATIVE INDUSTRIES AND CRISIS IN ITALY Cycles and Anticycles between Society and Communication

Anno: 2017

The “Great Crash” of 1929 was the first example of a modern crisis in which the media played a significant role in the subsequent recovery. The most significant contributors were the cinema, the radio, and photography...

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Fotografia prima e dopo: rotture e continuità intorno alla svolta digitale digital

di Enrico Menduni

formato:

Articolo

| COMUNICAZIONI SOCIALI - 2016 - 1. Snapshot Culture. The Photographic Experience in the Post-Medium Age

Anno: 2016

Two successive phases in the advent of digital photography can be discerned. The first involved the digitisation of photographic production, which has become ubiquitous and portable, embedded in mobile phones – a socially legitimated practice in ordinary everyday life. That process demolishes ‘photographic intentionality’ and profoundly modifies the status of the image. The ontological distance between still and moving images blurs to almost nothing...

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Lo sport come officina della simultaneità radiotelevisiva digital

di Enrico Menduni

formato:

Articolo

| COMUNICAZIONI SOCIALI - 2006 - 1. Sport e media

Anno: 2006

With respect to all previous media generations, radio and then television have incorporated a contemporary rather than simultaneous culture. Simultaneously, radio and television, especially television, incorporate memories and new information. This happens in several ways: either directly, by the use of live broadcast, or in-depth sports news during special broadcasts, or as ‘phatic’ sports chatting that are the object of sports talk shows. The represented event therefore gives the spectator the impression of being in the stands rather than watching a broadcast. The key of success of sports in television broadcasting lies in the desire of the public of having a delimited field, instead of the complexity of life. The public longs for stories that end with a result and that are, at the same time, as an endless cycle, as in every television series which they are used to.

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