Giulia Fanara

The essay describes the interlacement between the feminist movement and practices and the film theory in Italy.It is not a chronological path, but the tale of a trip, which begins from the corporeal being, the memory of the body, and reaches to the concept of Mother, as fundamental space of the thought of difference. A space – as Deleuze says – of ‘intensive emotions’, which opens new approaches for the film analysis and new positions for male and female spectators.