La tecnologia come costrutto simbolico
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The article seeks to analyse the relations holding between the application of psychoanalysis to the filmic text
as a hermeneutic discipline and the role played by technology (as technology of representation rather than as
represented technology) within the analysis and theory of film. The proposal is thus to consider technology
as a symbolic construct. Reflection starts out from pioneering cinema psychocriticism (carried out around the
mid-1970s in a geographically French and culturally Lacanian area), which always considered the dispositif
and the technological appareil as an a-historical function of film production and performance. Continuing
along the path suggested by Lacanian psychoanalysis, and endeavouring to shift attention from reality (as
impression de réalité) to the Real (as Lacanian register of the unrepresentable), the study will propose a ‘historic
wager’, that is to say, it will stake the analysis on a shift in perspective that can restore to technology its
dimension of diachronic evolution and its setting within the contemporary socio-cultural context. Through the
perspective of the embodied eye, the ‘historic wager’ leads to a ‘new illusion’: that of the spectators, cherishing
the illusion that they see themselves watching and that they inhabit the filmic space (in its scopic
dimension) of the representation of reality and the anaesthetization of the Real.
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