Scambio delle tecniche e citazioni da Francesco Londonio nei disegni di Pietro Giacomo Palmieri

digital

Articolo

Rivista

ARTE LOMBARDA

Fascicolo

ARTE LOMBARDA - 2015 - 3

Titolo

Scambio delle tecniche e citazioni da Francesco Londonio nei disegni di Pietro Giacomo Palmieri

Autore

Chiara Travisonni

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Online da

05-2016

Issn

0004-3443 (stampa) | 2785-1117 (digitale)

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Descrizione Commenti dei lettori

The collections of Museo Civico d’Arte Antica in Palazzo Madama include four sheets drawn in Turin in 1793 by the Bolognese artist Pietro Giacomo Palmieri during the last period of his career. Those drawings are a sophisticated collage of figures copied from Francesco Londonio’s etchings and evoke the effects of watercolor prints. Palmieri’s taste for emulation of printmaking technique and for pastoral subjects goes back to the time of his early artistic formation in Bologna. This interest increased during his stay in Paris, where his virtuosistic skills were admired by the most cultivated amateurs. As far as we know Turin collectors in 18th century were not so interested in Londonio, so the subjets chosen for the drawings here presented seem to be a real exception in that scenario. However Palmieri played an important role addressing collecting interests toward 17th century Netherlander graphics, primary source for Londonio. The analysis of those sheets allows to formulate some hypothesis about how Palmieri came into contact with Londonio’s work. It also permits us to state the stylistic choices he made in his last activity years.

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