Tecnologia degli spazi di visione nel cinema delle origini: il politeama
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The article examines the politeama, a specifically Italian type of location devoted to theatre performances that
was characterised, in the late nineteenth and early twentieth century, by elements of continuity with traditional
‘Italian-style’ drama as well as by aspects suggestive of a movement towards innovation. It was the politeama,
which was at one and the same time both classical and democratic in its aspirations, that bore witness to
the non-violent transition from traditional performances to more modern forms, closer to popular sentiment,
such as cinema. The article thus reconstructs the ways in which cinema was present in the politeama, highlighting
the intermediality of cinema of the origins, the process of definition of the cinematographic experience,
and finally, the relation between production, appreciation and national culture in the phase of institutionalisation
of the cinematographic medium.
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