Ruzante e l’Amphitruo: tracce plautine prima delle commedie ‘plautine’

digital

Articolo

Rivista

AEVUM

Fascicolo

AEVUM - 2018 - 3

Titolo

Ruzante e l’Amphitruo: tracce plautine prima delle commedie ‘plautine’

Autore

Isabella Valeri

Editore

Vita e Pensiero

Formato

Articolo |

Pdf

Online da

03-2019

Doi

10.26350/000193_000026

Issn

0001-9593 (stampa) | 1827-787X (digitale)

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Descrizione Commenti dei lettori

This paper aims to underline the prominent function of Latin comedy in Ruzante’s ‘theatrical adventure’, focusing on the works that precede Piovana and Vaccaria. These two comedies, which respectively ‘translate’ Plautus’ Rudens and Asinaria, have been commonly considered as the result of a late approach to the ancient theatre, which leads Ruzante’s creativityto a significant involution. Widening the analysis to his whole production and examining the presence of a specific intertext (Plautus’ Amphitruo), the paper investigates how Ruzante, throughout his theatrical production, elaborates in an increasingly complex way the Plautine scenes dedicated to ‘the theft of identity’, using Plautus as a constant model, which strongly influences his dramaturgical elaboration.