La stereofonia e il grande schermo in Italia
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Before the introduction of Dolby in the 1970s, cinematic stereophony had experienced a brief season of success,
in the era of panoramic formats. In Italy, both the cinema houses themselves and the production companies
embraced this technological novelty, following the trend of United States cinema, where stereophony
was launched in 1952 with Cinerama. But the latter was unsuccessful commercially on account of its exceptional
nature, and its successor Cinemascope, launched the following year with four magnetic tracks, proved
to be too expensive and was soon accompanied by the cheaper Perspecta Stereophonic Sound, a stereophonic
effect simulator. This too was soon abandoned and by about 1958 Cinemascope, now standardised, had
cautiously returned to the monophonic optical track.
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