Steven Maras e il ‘discourse frame’. Un approccio dinamico alla teoria della sceneggiatura - Steven Maras and the 'discourse frame'. A dinamic approach to screenwriting theory - Raffaele Chiarulli - Vita e Pensiero - Articolo Vita e Pensiero

Steven Maras e il ‘discourse frame’. Un approccio dinamico alla teoria della sceneggiatura - Steven Maras and the 'discourse frame'. A dinamic approach to screenwriting theory

digital Steven Maras e il ‘discourse frame’. Un approccio dinamico alla teoria della sceneggiatura - Steven Maras and the 'discourse frame'. A dinamic approach to screenwriting theory
Articolo
rivista COMUNICAZIONI SOCIALI
fascicolo COMUNICAZIONI SOCIALI - 2014 - 3. (En)gendered creativity. Actors Agencies Artifacts
titolo Steven Maras e il ‘discourse frame’. Un approccio dinamico alla teoria della sceneggiatura - Steven Maras and the 'discourse frame'. A dinamic approach to screenwriting theory
Autore
Editore Vita e Pensiero
formato Articolo | Pdf
online da 01-2015
issn 0392-8667 (stampa) | 1827-7969 (digitale)
Scrivi un commento per questo prodotto
€ 6,00

Ebook in formato Pdf leggibile su questi device:

In the wake of a recent essay on the theory of screenwriting (S. Maras, Screenwriting. History, Theory and Practice. London-New York: Wallflower Press, 2009), questions concerning the debate on the nature, the regulations and the goals of “Screenwriting” and the dialogue between narratology and other fields of Film Studies are encouraged thanks to the import of Frame Analysis approach from social sciences. Steven Maras’ proposal, which we have adopted here, is to define the debate set in motion by the discourse on the screenplay as peculiar to the screenplay itself, and therefore, to identify a frame where to include all theoretical contributions participating to this debate, although of a different nature and origin. Adopting this approach and defining the discourse frame does not solve the problem on the nature of the screenplay but it allows to take up the subject from a new perspective reflecting and including what analyses from what other approaches decreed on the subject. Moreover it allows a great freedom in combining different subjects to analyze and define objects such as the screenplay of an audio-visual product, which nature is elusive and problematic, dignifying, for instance, an often underestimated branch of narratology applied to arts such as manuals (a discipline of great historical interest and a full-blown container of cinema theories). The usefulness of this theoretical frame can be verified in the investigations that do not just analyze texts but try to focus on the blurred landscapes existing between them, and it’s ideal to host debates on “authorship” and on the concept of “creative process”. For instance it becomes relevant in adaptation theories and every time there is an ongoing negotiation between cinema and other media.

News

01.08.2022
Giovanna Brambilla, l'affilata narratrice dell’Arte
Ritratto della storica dell'arte e divulgatrice, attraverso il nostro Questionario di Proust 2.0.
18.07.2022
Le visioni di Calvino per un futuro abitabile
Carlo Ossola ci porta a visitare le città invisibili immaginate da Calvino, luoghi fantastici che parlano della nostra realtà.
18.07.2022
Colpi sul muro dell'indifferenza
Un consiglio di lettura che tocca le pagine di Tomáš Halík e Simone Weil.
18.07.2022
Un granello di bontà, speranza del mondo
Contro la tragedia della guerra, i soprusi dei potenti, la cattiveria di molti c'è la speranza della bontà, tra Grossman ed Esquirol.

Newsletter

* campi obbligatori

Collane

  • Cultura e storia
  • Filosofia morale
  • Grani di senape
  • Le nuove bussole
  • Metafisica e storia della metafisica
  • Pagine prime
  • Punti
  • Relazioni internazionali e scienza politica.ASERI
  • Sestante
  • Studi interdisciplinari sulla famiglia
  • Temi metafisici e problemi del pensiero antico
  • Transizioni
  • Varia. Saggistica
  • Scopri le altre Collane