Il tuo browser non supporta JavaScript!

Post-Millennial Spectatorship and Horror Films: The Case of It (2017)

digital Post-Millennial Spectatorship and Horror Films: The Case
of It (2017)
fascicolo COMUNICAZIONI SOCIALI - 2018 - 2. iGEN CINEMA Moving Image Consumption and Production by Post-Millennials
titolo Post-Millennial Spectatorship and Horror Films: The Case of It (2017)
editore Vita e Pensiero
formato Articolo | Pdf
online da 09-2018
doi 10.26350/001200_000014
issn 03928667 (stampa) | 18277969 (digitale)
Scrivi un commento per questo prodotto
€ 6,00

Ebook in formato Pdf leggibile su questi device:

Horror has always been a favourite film genre with teenagers and younger audiences in general. There are various reasons for this. Baby boomers were the chosen target for the new genre, with its mix of science fiction and horror, typical of the period between the mid-Fifties and mid-Sixties. The monster family sitcoms of the Sixties domesticated horror and gothic genre, bringing it into the living room and offering it for family consumption. Later, in the Seventies and Eighties, with the emergence of the “slasher and splatter” movies, youngsters could identify with the main characters, themselves young, and share their uneasiness and anxiety in the face of permissiveness and sexual experimentation and, in the meantime, the necessity of a super ego punishment. Thus horror movies allowed one to experience one’s own fears in a safe environment, in the knowledge that fear is indispensable to personal growth. With this in mind, we were prompted to inquire whether horror films still exercise this fundamental function for post-millennials and, in an attempt to provide an answer, we chose It (2017) as a meaningful case study. We would argue that It is one of the best examples of a horror movie perfectly tailored to a generation a) whose attention spans have been reshaped by the constant use of smartphones and other mobile devices and b) whose cinema experience is subject to a continuous process of relocation on multiple platforms and digital networks. On the basis of our analysis, it can be said that It owes its success with younger viewers not merely to its being an audio-visual product capable of satisfying forms of multiscreen and polysensory consumption, but because it is a film which reflects the new spectatorship aesthetic of the Post-Millennials: an aesthetic which brings the cinematic experience closer to a relationship of intimate and reversible contact with the film’s surface, rather than a full immersion in a compelling narrative form; but also an expanded experience which accommodates the different facets of Post-Millennial viewer behaviour.


Horror film; Post-Millennials; post cinema; experiential cinema; physical spectatorship.

Biografia degli autori;


Parole per la città: a Genova idee e libri
Giovedì 30 gennaio al Palazzo Ducale di Genova incontro con il giurista Gabrio Forti sul tema della giustizia a partire da "La cura delle norme".
Addio al filosofo Roger Scruton
Il 12 gennaio Roger Scruton è morto, per una malattia, all'età di 75 anni. Il suo pensiero nei libri che ci lascia.
Intervista impossibile a Stevenson
Un piccolo e serio divertissement: un’intervista impossibile allo scrittore scozzese per raccontare la sua raccolta di scritti più intima e umana.
Max Picard: il veggente della tecnocrazia
Chi era Max Picard? Ritratto di un intellettuale irregolare che ha previsto i pericoli della società tecnocratica e di una modernità in fuga dal divino.


* campi obbligatori


  • Cultura e storia
  • Filosofia morale
  • Grani di senape
  • Le nuove bussole
  • Metafisica e storia della metafisica
  • Pagine prime
  • Punti
  • Relazioni internazionali e scienza politica.ASERI
  • Sestante
  • Studi interdisciplinari sulla famiglia
  • Temi metafisici e problemi del pensiero antico
  • Transizioni
  • Varia. Saggistica
  • Scopri le altre Collane