La cascina Pozzobonelli: indagini sulla proprietà e gli interventi architettonici
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The essay attempts to reconstruct the story of the farmstead of the Pozzobonelli family, acquired by Gian Giacomo Pozzobonelli in 1498 and situated in Corpi Santi di Porta Nuova in Milan. In the late 19th century the building was partially destroyed and today it is possible to see only a portion of the porch and the chapel. The discovery of a group of documents related to the Possessione Pozzobonella in the archive of the Fondazione Feltrinelli is the occasion to reconstruct the late 15th century phases of this complex, trying to formulate also some hypothesis about the functions of the different spaces of the farmstead. A specific attention is dedicated to the survived portions of the complex, and in particular to the chapel: since the end of the 19th century many scholars had focused their attentions on this little building, which presents many elements similar to those used by Bramante during his activity in Milan. Although it is still not possible to attribute this building to a specific architect, the research underlines correspondences and also irregularities of the Pozzobonelli chapel in relationship with other buildings in Lombardy at the time.The essay attempts to reconstruct the story of the farmstead of the Pozzobonelli family, acquired by Gian Giacomo Pozzobonelli in 1498 and situated in Corpi Santi di Porta Nuova in Milan. In the late 19th century the building was partially destroyed and today it is possible to see only a portion of the porch and the chapel. The discovery of a group of documents related to the Possessione Pozzobonella in the archive of the Fondazione Feltrinelli is the occasion to reconstruct the late 15th century phases of this complex, trying to formulate also some hypothesis about the functions of the different spaces of the farmstead. A specific attention is dedicated to the survived portions of the complex, and in particular to the chapel: since the end of the 19th century many scholars had focused their attentions on this little building, which presents many elements similar to those used by Bramante during his activity in Milan. Although it is still not possible to attribute this building to a specific architect, the research underlines correspondences and also irregularities of the Pozzobonelli chapel in relationship with other buildings in Lombardy at the time.
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